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FULL The Story of Gilbert and Sullivan Movie UK 1953 Muriel Brunskill, Owen Brannigan, Ann Hanslip, Marjorie Thomas

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Information on the Performance
Information about the Recording
  • Published by: London Films  
  • Date Published: 1953  
  • Format: Broadcast
  • Quality Video: 3 Audio:3
  • Subtitles: nosubs  
  • Video Recording from: AMAZON     #ad   Amazon product Get this Recording
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ADDITIONAL INFORMATION ON THIS PERFORMANCE

The Story of Gilbert and Sullivan (also known as Gilbert & Sullivan and The Great Gilbert and Sullivan) is a 1953 British musical drama film dramatisation of the collaboration between Gilbert and Sullivan. Librettist W. S. Gilbert and composer Arthur Sullivan, portrayed by Robert Morley and Maurice Evans, co-wrote fourteen extraordinarily successful comic operas, later referred to as the Savoy Operas, which continue to be popular today.

The film, directed by Sidney Gilliat, is based on Leslie Baily’s The Gilbert and Sullivan Book, and Baily co-wrote the screenplay with Gilliat. Shot in Technicolor, it was produced by Gilliat and Frank Launder for London Films in time to mark the coronation of Queen Elizabeth II. The film was a box-office failure.

Plot
The young composer Arthur Sullivan is encouraged by his friends and fiancée, Grace, to pursue the creation of “serious” works, such as his cantata The Prodigal Son, but he is pleased by the acclaim that he receives for the music to the short comic opera Trial by Jury, a collaboration with dramatist W.S. Gilbert. Grace leaves him, telling him that he is wasting his musical gifts on triviality, foreshadowing criticism from the musical establishment that will follow Sullivan for the rest of his career.

Still wrestling with this dilemma, Sullivan joins Gilbert and the impresario Richard D’Oyly Carte in a partnership to create more light operas. Their subsequent operas, The Sorcerer and, especially, H.M.S. Pinafore, become so successful they are extensively pirated in America. The entire company goes on tour there so that the partnership can profit from their appreciation in the new world. The Pirates of Penzance premieres in New York to much acclaim, and Carte soon builds a new theatre in London to present the partnership’s operas. Everyone is delighted.

The Savoy Theatre opens with the opening night of Iolanthe. Sullivan revels in the atmosphere of the premiere, while Gilbert, as usual, is nervous and apprehensive. At the opening, Carte demonstrates the safety of the theatre’s innovative electric lighting. Sullivan conducts the performance, but Gilbert escapes the theatre to walk the streets, returning just in time to take a triumphant curtain call before the enthusiastic crowd. Nevertheless, Sullivan is unhappy writing comic opera.

When Gilbert proposes a new piece involving the device of a magic lozenge, Sullivan objects that he wants to devote himself to serious music. Sullivan’s friend, critic Joseph Bennett, writes a libretto for a cantata based on Henry Wadsworth Longfellow’s The Golden Legend. Meanwhile, Gilbert, inspired by the sight of a Japanese sword hanging in his study, proposes a new plot, and Sullivan begins work. When Bennett goes to see Sullivan, he finds that The Mikado is being rehearsed instead of his cantata. He informs Sullivan that, if he would get around to finishing The Golden Legend, Queen Victoria will attend the premiere. Likewise, when Gilbert calls on Sullivan, he sees him rehearsing The Golden Legend, as Bennett stands watch. When Bennett dozes off, Sullivan turns back to The Mikado. After both works debut, Sullivan is knighted. The Queen inquires if he will write a grand opera.

Just before the premiere of their next opera, Ruddigore, Sullivan asks Gilbert to write the libretto for his first grand opera. Gilbert declines, stating that in such a work the words play second fiddle to the music, and Sullivan is angered saying that he has always had to hold the music back so that the words could predominate, and that he no longer takes pleasure in writing comic operas. Ruddigore receives negative reviews and some negative audience response. Although the piece is eventually a financial success, author and composer remain at odds. Mrs. Helen Carte travels to Monte Carlo to see Sullivan on holiday. She gives him the news that her husband will build another theatre to present grand opera, and wants Sullivan to compose an opera for the theatre. Sullivan happily agrees, but at the same time, Gilbert has written a libretto for another comic opera. Sullivan also accepts this libretto, and The Gondoliers is another hit.

Gilbert, suffering from gout, and in a particularly foul temper, examines the financial accounts of the partnership, seeing a large item for the purchase of a new carpet at the Savoy Theatre. He confronts Carte, at the new theatre, over lavish expenses. He also quarrels with Sullivan, and Gilbert announces that he will write no more Savoy operas. Sullivan’s grand opera Ivanhoe debuts, and he presents a bound volume to the Queen. She commands a private performance at Windsor Castle but astonishes Sullivan by choosing to hear The Gondoliers. Apart from Gilbert, Sullivan comes to realise that his true gifts lie with light music.

Richard and Helen Carte toast the arrival of the twentieth century, hoping for a revival of the Gilbert and Sullivan partnership. Stopping by at a rehearsal for a revival of The Yeomen of the Guard, Gilbert runs into Sullivan, after having been apart for years. Sullivan is ill and using a wheelchair. The two men make up and propose taking a curtain call together with Carte, all three of them in wheelchairs. During the performance, however, news arrives of Sullivan’s death. Some years later, Gilbert is finally knighted.

Quoted from Wikipedia

 

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