Otello (Rossini) Pesaro 2022 Enea Scala, Eleonora Buratto, Evgeny Stavinsky, Dmitry Korchak

Information on the Performance

• Work Title: Otello  
• Composer: Gioachino Rossini  
• Libretto: Francesco Maria Berio di Salsa    Libretto Text, Libretto Index
• Venue & Opera Company: Pesaro, Italy, Rossini Opera Festival  
• Recorded: 2022
• Type: Staged Opera Live
• Singers: Enea Scala, Eleonora Buratto, Evgeny Stavinsky, Dmitry Korchak, Antonino Siragusa, Adriana Di Paola, Julian Henao Gonzalez, Antonio Garés
• Conductor: Yves Abel   
• Orchestra: Orchestra Sinfonica Nazionale della RAI  
• Chorus: Coro del Teatro Ventidio Basso  
• Chorus Master: Giovanni Farina  
• Stage Director: Rosetta Cucchi  
• Costume Designer:   

Information about the Recording

• Published by: Unitel  
• TV Director: Tiziano Mancini  
• Date Published: 2023  
• Format: Streaming
• Quality Video: 4 Audio:4
• Subtitles: yessubs, ensubs, itsubs  
• This Recording is NOT AVAILABLE from a proper commercial or public source
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ADDITIONAL INFORMATION ON THIS PERFORMANCE

Quote from wikipedia:
Otello is an opera in three acts by Gioachino Rossini to an Italian libretto by Francesco Berio di Salsa after William Shakespeare’s play Othello, or The Moor of Venice; it was premiered in Naples, Teatro del Fondo, 4 December 1816.

The plot of the libretto differs greatly from Shakespeare’s play in that it takes place wholly in Venice, not mainly on Cyprus, and the dramatic conflict develops in a different manner. The role of Iago is much less diabolical than Shakespeare’s play or Verdi’s 1887 opera Otello, which was also based on it. Shakespeare derived his play from the story Un Capitano Moro (“A Moorish Captain”) by Cinthio, a disciple of Boccaccio, first published in 1565. In further contrast, the role of Roderigo, a sub-plot in Shakespeare and Verdi, is very prominent in Rossini’s version—some of the most difficult and brilliant music being assigned to the character Rodrigo. The roles of Otello, Iago, and Rodrigo are all composed for the tenor voice.

Rossini’s Otello is an important milestone in the development of opera as musical drama. It provided Verdi with a benchmark for his own adaptations of Shakespeare. A 1999 Opera Rara CD of the opera includes an alternative happy ending, a common practice with drama and opera at that period of the 19th century.