FULL MAOMETTO II Istanbul 1990 Nursel Öncül, Lynn Trepel Çağlar, Suat Arıkan
Information on the Performance
- Work Title: Maometto II or Maometto secondo
- Composer: Gioachino Rossini
- Libretto: Cesare della Valle Libretto Text, Libretto Index
- Venue & Opera Company: Istanbul Devlet Opera ve Balesi, Istanbul, Turkey
- Recorded: December 25, 1990
- Type: Staged Opera Live
- Singers: Nursel Öncül, Lynn Trepel Çağlar, Suat Arıkan, Süha Yıldız, Kurtuluş Demirperçin, Ernest Patkolo
- Conductor: Selman Ada
- Orchestra:
- Chorus Master: Yıldız Künütku
- Stage Director: Gürçil Çeliktaş
- Stage Designer: Osman Şengezer
- Costume Designer: Osman Şengezer
- Lighting Designer: Ertekin Kulan
Information about the Recording
- Published by: Saint Polycarp
- Date Published: 2024
- Format: Unknown
- Quality Video: 2 Audio:2
- Subtitles: nosubs
- Video Recording from: YouTube FULL VIDEO
ADDITIONAL INFORMATION ON THIS PERFORMANCE
Maometto II (or Maometto secondo) is an 1820 opera in two acts by Gioachino Rossini to an Italian libretto by Cesare della Valle. Set in the 1470s during a time of war between the Turks and Venetians, the work was commissioned by the Teatro di San Carlo in Naples. Della Valle based his libretto on his earlier play Anna Erizo. The name of the title character, Maometto II, refers to the real-life Ottoman Sultan and conqueror of Constantinople Mehmed II, who lived from 1432 to 1481.
Regarded “in some ways [as his] most ambitious opera” and as “the best of Rossini’s Neapolitan operas”, Maometto II failed to find an audience in Naples and, “to help ensure [its] success in Venice and Paris, he smoothed out the most audacious elements of the score” Venice first saw it on 22 December 1822 and then, translated into French and changed significantly, it was presented as Le siège de Corinthe in 1826.
Until the preparation of the critical editions of Maometto II, the composer’s original intentions remained obscure. The introduction to an early version prepared by musicologists Philip Gossett and Patricia Brauner (along with Claudio Scimone) notes some of the difficulties of determining what Rossini had intended:
Extraordinary for its dramatic power and the nobility of its musical content, Maometto II is also an opera that poses many textual problems, since Rossini’s successive revisions were made directly in the autograph score. Using copies of the score dating back to the original productions of each of these versions, the critical edition reconstructs the text of the first version (Naples, 1820), which reflects the composer’s original intentions.
A new critical edition was prepared under the supQuoted from Wikipediaervision of Philip Gossett and edited by Dutch scholar Hans Schellevis. The first performances which used it were given by The Santa Fe Opera during its 2012 season and the German company, Bärenreiter, released the score for rentals in 2013
Quoted from Wikipedia